Before the War

I found an impressive deal on The Complete New Yorker a few days ago. Every issue on DVD-ROM. Every issue. I haven't even begun to scratch the surface yet, but here's a good poem from the March 31, 2003 issue.

(Please ignore any unintentional copyright violations. I'm finding it so much easier to make regular blog entries if I let someone else actually write them for me. Bad blogger! Bad!)

Before the War

Seeing his mother coming home
he kneels behind a parked car,
one hand over his mouth to still
his breathing. She passes, climbs
the stairs, and again the street is his.
We're in an American city, Toledo,
sometime in the last century, though
it could be Buffalo or Flint,
the places are the same except
for the names. At eight or nine,
even at eleven, kids are the same,
without an identity, without a soul,
things with bad teeth and bad clothes.
We could give them names, we could
name the mother Gertrude, and give her
a small office job typing bills of lading
eight hours a day, five and a half
days a week. We could give her
dreams of marriage to the boss
who's already married, but we
don't because she loathes him.
It's her son, Sol, she loves,
the one still hiding with one knee
down on the concrete drawing
the day's last heat. He's got feelings.
Young as he is he can feel heat,
cold, pain, just as a dog would
and like a dog he'll answer
to his name. Go ahead, call him,
"Hey, Solly, Solly boy, come here!"
He doesn't bark, he doesn't sit,
he doesn't beg or extend one paw
in a gesture of submission.
He accepts his whole name, even
as a kid he stands and faces us,
just as eleven years from now
he'll stand and face his death
flaming toward him on a bridge-
head at Remagen while Gertrude
goes on typing mechanically
into the falling winter night.

--Philip Levine